AMS-NE: New England Chapter of the AMS

Hosted by Brandeis University If you plan to participate in this virtual meeting, please register (for free) in advance at this link: https://brandeis.wufoo.com/forms/m1vzze2b1xkz2we/   After registering, you will receive a confirmation email containing information about joining the  Chapter meeting on February 5, 2022 (including the Zoom link for the meeting).  Program (all times listed below are EDT)  PDF with program and abstracts here Abstracts and bios available here 10:45-11:00AM Welcoming Remarks  11:00AM-12:30PM Morning Session (chaired by Chloe Danitz, Brandeis University)    “Navigating a Changing Music Business: Giulio Briccialdi and the Musicians’ Response to  Shifting Demands”  Samantha Tripp (Tufts University)  “Digital Amati: Structure and Interpretation of Classical Stringed Instruments” Harry Mairson (Brandeis University)  “‘Just to Be and Dance ’: Jerome Robbins, J.S. Bach, and Late Style”  Erinn Knyt (Univer...

 The Fall 2021 Meeting of the New England Chapter of the American Musicological Society will take place virtually on Saturday, October 2nd, hosted by the University of Massachusetts Amherst. If you plan to participate in this virtual meeting, please register (for free) in advance at this link . After registering, you will receive a confirmation email containing information about joining the Chapter meeting on October 2, 2021 (including the Zoom link for the meeting). PROGRAM  (Full program with abstracts and bios as provided as of 9/18 available here as a pdf). All times listed below are EDT. 10:15 - 10:30 AM  Welcoming Remarks 10:30 - 12:00 PM MORNING SESSION "For Your Eyes Only? Optical Illusion and Offstage Music in Nineteenth-Century Europe" -  Feng-Shu Lee (National Yang Ming Chiao Tung University) "Kaija Saariaho's L'amour de loin  as Modern Symbolist Opera" - Madison Spahn "Stockhausen's Weltmusik  at the Crossroads of Serialism and Postwar U...

 For the full program with linked abstracts and bios, please click here . Full abstracts and bios here.  Registration info is at the bottom of this post. AMERICAN MUSICOLOGICAL SOCIETY NEW ENGLAND CHAPTER Spring 2021 Meeting Virtual Meeting hosted by University of Massachusetts Amherst SATURDAY, MAY 15, 2020 Program (all times listed below are EDT)   10:15-10:30AM            Welcoming Remarks  (ZOOM)   10:30AM-12:00PM       Morning Session (ZOOM)  “Reassessing Eichheim’s Oriental Music: Some Preliminary Remarks” Richard Mueller (Willington, Connecticut) “Monteverdi and Striggio’s  Orfeo : Modern Music, for a Pre-modern Play” Joel Schwindt (Boston Conservatory at Berklee) “‘The soul of man is a limpid wave’: Liszt, Lamartine, and  Bénédiction de Dieu dans la solitude ” Andrew Haringer (Saint Anselm College)  12:00PM-1:15PM         Lunc...

Bios and abstracts are posted as they become available and will be edited for length. Exact location and parking information will be posted soon. Location : Brooks Music Center Concert Hall, second floor (No. 2 opposite St. Joseph Memorial Chapel on this map ). Parking: Visitors may park in the Loyola Lot (closest) or above the Hogan Center (Gate 7) 
 NOTE! At the meeting we will be  holding  elections for Secretary/Treasurer and for one of our two student representative positions . Please send nominations to Jacqueline Sholes at jsholes at ccsu.edu not later than 5 PM on Thursday, 4/25. Self-nominations welcome. Thank you! 
 9:45-10:15       Refreshments and Registration in Brooks 133 (first floor) Morning Session 10:15  Welcome 10:20  Antonio Cesti and Musical Convention: The Uses and Limits of Voice-Leading Schemas in His Operas – Kyle Masson (Princeton University) 10:50  Cantopop and Speech-Melody Co...

AMS-NE Winter Chapter Meeting
 February 23, 2019 
Pendleton West 101 / Sargent Concert Salon
--Wellesley College ( Parking Info and Campus Map ) 
9:45-10:15 Refreshments and Registration Morning Session
 10:15 Welcome 10:20 “Me at Last, Me at Last!”: Black Artists Freeing Themselves From Country Music’s 
“White Avatar” – Joel Schwindt (Boston Conservatory at Berklee) Mainstream country music has long been branded a “white” genre, even though this identity is based on ahistorical constructs that downplay regular borrowings from black musical culture (Malone 2017, Nunn 2010, Manuel 2008). This “white avatar” has even been used to justify the marginalization of black performers’ racial identity, most infamously in the refusal of Charley Pride’s label to include a photo in the singer’s promotional materials during the first two years of his career. This “hegemony of vision” (McCrary 1993), however, has been challenged by two emerging black singers, Kane Brown and Jimmie Alle...