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Showing posts with the label 20th-c

FALL 2021 CHAPTER MEETING (Virtual) - Saturday, October 2, 2021

 The Fall 2021 Meeting of the New England Chapter of the American Musicological Society will take place virtually on Saturday, October 2nd, hosted by the University of Massachusetts Amherst. If you plan to participate in this virtual meeting, please register (for free) in advance at this link . After registering, you will receive a confirmation email containing information about joining the Chapter meeting on October 2, 2021 (including the Zoom link for the meeting). PROGRAM  (Full program with abstracts and bios as provided as of 9/18 available here as a pdf). All times listed below are EDT. 10:15 - 10:30 AM  Welcoming Remarks 10:30 - 12:00 PM MORNING SESSION "For Your Eyes Only? Optical Illusion and Offstage Music in Nineteenth-Century Europe" -  Feng-Shu Lee (National Yang Ming Chiao Tung University) "Kaija Saariaho's L'amour de loin  as Modern Symbolist Opera" - Madison Spahn "Stockhausen's Weltmusik  at the Crossroads of Serialism and Postwar U...

SPRING 2021 CHAPTER MEETING (Virtual) - Saturday, May 15, 2021

 For the full program with linked abstracts and bios, please click here . Full abstracts and bios here.  Registration info is at the bottom of this post. AMERICAN MUSICOLOGICAL SOCIETY NEW ENGLAND CHAPTER Spring 2021 Meeting Virtual Meeting hosted by University of Massachusetts Amherst SATURDAY, MAY 15, 2020 Program (all times listed below are EDT)   10:15-10:30AM            Welcoming Remarks  (ZOOM)   10:30AM-12:00PM       Morning Session (ZOOM)  “Reassessing Eichheim’s Oriental Music: Some Preliminary Remarks” Richard Mueller (Willington, Connecticut) “Monteverdi and Striggio’s  Orfeo : Modern Music, for a Pre-modern Play” Joel Schwindt (Boston Conservatory at Berklee) “‘The soul of man is a limpid wave’: Liszt, Lamartine, and  Bénédiction de Dieu dans la solitude ” Andrew Haringer (Saint Anselm College)  12:00PM-1:15PM         Lunc...

Winter 2020 Chapter Meeting (Saturday, Feb. 22, New England Conservatory, Boston)

AMS-NE Fall Chapter Meeting February 22, 2020 New England Conservatory -- Pierce Hall ( Directions and Parking ) 9:45-10:15 Refreshments and Registration Morning Session 10:15 Welcome 10:20 Josquin’s Nymphes des bois and Lament Literature – Jeannette Di Bernardo Jones (College of the Holy Cross) Josquin’s Nymphes des bois is among the earliest polyphonic laments for musicians and joins poetic laments written honoring Jean de Okeghem after his death in February 1497. Musicologists have debated three problems surrounding this piece: its dating, its polytextuality, and its appearance in all-black notation in its sources. I address these issues by placing Josquin’s lament in a conversation with the existing poetic laments for Okeghem, namely Guillaume Crétin’s Déploration and Jean Molinet’s pair of poems, one of which is the French text Nymphes des bois in Josquin’s setting. I argue that Nymphes des bois , both Molinet’s poem and Josquin’s lament, is part of a larger ...

Fall 2019 Chapter Meeting (Saturday, September 28th - Amherst College)

LOCATION at Amherst College Center for Humanistic Inquiry (CHI) Robert Frost Library,  2nd floor 61 Quadrangle Amherst, MA 01002  The entrance to the Library is from Quadrangle Drive (south end of the building).  More info regarding parking HERE Details as to specifics (hall/rooms, parking) will be posted as they become available. Bios, photos, and abstracts are posted as available. -------------------- 9:45-10:15 Refreshments and Registration Morning Session 10:15 Welcome 10:20 From Poem to Dance via Music: Departures and Convergences in Jonathan Taylor’s Transfigured Night Nona Monahin (Mount Holyoke College) Richard Dehmel’s 1896 “Verklärte Nacht” (Transfigured Night), a poem centered on a crisis of confidence in a couple’s relationship, inspired composer Arnold Schoenberg’s string sextet of the same title (1899; arranged for string orchestra in 1917 and revised in 1943), which in turn inspired numerous choreographic versions. In this p...

Spring 2019 Chapter Meeting (Saturday, April 27 College of the Holy Cross)

Bios and abstracts are posted as they become available and will be edited for length. Exact location and parking information will be posted soon. Location : Brooks Music Center Concert Hall, second floor (No. 2 opposite St. Joseph Memorial Chapel on this map ). Parking: Visitors may park in the Loyola Lot (closest) or above the Hogan Center (Gate 7) 
 NOTE! At the meeting we will be  holding  elections for Secretary/Treasurer and for one of our two student representative positions . Please send nominations to Jacqueline Sholes at jsholes at ccsu.edu not later than 5 PM on Thursday, 4/25. Self-nominations welcome. Thank you! 
 9:45-10:15       Refreshments and Registration in Brooks 133 (first floor) Morning Session 10:15  Welcome 10:20  Antonio Cesti and Musical Convention: The Uses and Limits of Voice-Leading Schemas in His Operas – Kyle Masson (Princeton University) 10:50  Cantopop and Speech-Melody Co...