AMS-NE: New England Chapter of the AMS

  If you plan to participate in this virtual meeting, please register (for free) in advance at this link: https://yale.zoom.us/meeting/ register/tJMld- irpjIjG9OtYGyavj-U-T8CeFvUrFOz Program (all times listed below are EDT)  ABSTRACTS AND BIOS 9:30-9:45AM  Welcoming Remarks 9:45AM-11:15AM  Session #1  (session c0-chairs: Zachary Stewart and Renée Becker, Yale University) Mary Greer (Cambridge, Massachusetts): "Hercules the Serpent-throttler as Model for Christ the Serpent-trampler: Overlooked Parallels between 'Hercules at the Crossroads" (BWV 213) and Bach's  Christmas Oratorio "  McKay Perry (University of Massachusetts Amherst): "'Amphion's Warbling Strings': A Case Study of Mythical Music in English Madrigals" Emily Korzeniewski (Yale University): "Machaut's Notations in Flux: The Chansons of the  Remede de Fortune " 11:15AM-11:30AM  Coffee Break #1 11:30AM-12:30PM  Session #2  (session chair: Philip Bixby, Yale University)...

AMS-NE Winter Chapter Meeting
 February 23, 2019 
Pendleton West 101 / Sargent Concert Salon
--Wellesley College ( Parking Info and Campus Map ) 
9:45-10:15 Refreshments and Registration Morning Session
 10:15 Welcome 10:20 “Me at Last, Me at Last!”: Black Artists Freeing Themselves From Country Music’s 
“White Avatar” – Joel Schwindt (Boston Conservatory at Berklee) Mainstream country music has long been branded a “white” genre, even though this identity is based on ahistorical constructs that downplay regular borrowings from black musical culture (Malone 2017, Nunn 2010, Manuel 2008). This “white avatar” has even been used to justify the marginalization of black performers’ racial identity, most infamously in the refusal of Charley Pride’s label to include a photo in the singer’s promotional materials during the first two years of his career. This “hegemony of vision” (McCrary 1993), however, has been challenged by two emerging black singers, Kane Brown and Jimmie Alle...

  AMS-NE Winter Chapter Meeting Saturday, February 4th, 2017 Slosberg Recital Hall Brandeis University Waltham, MA 9:30-10:00       Refreshments and Registration Morning Session: Gateways to Perception 10:00               Welcome 10:05                John Klaess (Yale University),  Music and Race in the Emergence of the "Urban Contemporary" Format, 1977-1987 In the early 1980s, radio industry commentators noted the arrival of a new station format, suggestively tit led "Urban Contemporary." Stations employing this format--a mix of classic and new R & B, disco, and fun k, book -ended by weekend rap programs--rose to prominence in several major markets.  By 1982, two Urban Contemporary stations competed for highest-rated station in New York City. Yet commenta...