AMS-NE: New England Chapter of the AMS

AMS-NE Fall Chapter Meeting February 22, 2020 New England Conservatory -- Pierce Hall ( Directions and Parking ) 9:45-10:15 Refreshments and Registration Morning Session 10:15 Welcome 10:20 Josquin’s Nymphes des bois and Lament Literature – Jeannette Di Bernardo Jones (College of the Holy Cross) Josquin’s Nymphes des bois is among the earliest polyphonic laments for musicians and joins poetic laments written honoring Jean de Okeghem after his death in February 1497. Musicologists have debated three problems surrounding this piece: its dating, its polytextuality, and its appearance in all-black notation in its sources. I address these issues by placing Josquin’s lament in a conversation with the existing poetic laments for Okeghem, namely Guillaume Crétin’s Déploration and Jean Molinet’s pair of poems, one of which is the French text Nymphes des bois in Josquin’s setting. I argue that Nymphes des bois , both Molinet’s poem and Josquin’s lament, is part of a larger ...

MINI-CONFERENCE: LATEST RESEARCH SHINES NEW LIGHT ON THE FIFTH AND EIGHTH SYMPHONIES OF BEETHOVEN

AMS-NE Spring Chapter Meeting May 2, 2015 Sudler Hall Yale University 9:45-10:15  Refreshments and Registration Morning Session 10:15   Welcome 10:20   Assimilation, Gypsies, and Jews in Meyerbeer's  Ein Feldlager in Schlesien                    Laura Stokes (Indiana University / Brown University) ABSTRACT: Giacomo Meyerbeer was appointed General Music Director of the Berlin Royal Opera in June 1842. The recently ascended king Friedrich Wilhelm IV—who had an ambitious program to remake Berlin as a European cultural center—persuaded Meyerbeer to return after an absence of over three decades. Meyerbeer, who was Jewish, was appointed music director of the Royal Opera at a time of political challenge for Prussia’s Jewish community: that same year, Friedrich Wilhelm IV proposed that the Jewish community be separated into its own Estate, attempting to counter decades of assimilati...

Posted on behalf of the Beethoven Research Center at Boston University --------------------------------------------------------------------- The Beethoven Research Center at Boston University presents Beethoven's String Quartet in A Minor, op. 132: New Perspectives, A Symposium, Open Workshop, Public Lecture, and Performance April 8-9, 2014 William Kinderman, Professor of Music and Germanic Studies, University of Illinois David Levy, Professor of Music & Associate Dean for Faculty Governance, Wake Forest University Lewis Lockwood, Distinguished Senior Scholar; Co-Director, Beethoven Research Center Jeremy Yudkin, Professor of Music; Co-Director, Beethoven Research Center Peter Zazofsky, Professor of Violin, Muir String Quartet Tuesday, April 8, 2-5 PM  The Marshall Room, 855 Commonwealth Ave. SYMPOSIUM ON OP. 132 with William Kinderman, David Levy, Jeremy Yudkin, and Lewis Lockwood Wednesday, April 9, 12-2 PM  The Concert Hall, 855 Commonwealth A...

AMS-NE Chapter Meeting Saturday, February 4, 2012 Massachusetts Institute of Technology DOUBLE SESSIONS MORNING SESSION A (Killian Hall):   Part 1: Analysis and Interpretation of Classical Music Alex Ludwig, "Is Haydn Too Funny for Hepokoski and Darcy? Examining Haydn's Presence in H & D's Sonata Theory" In their massive book Elements of Sonata Theory , James Hepokoski and Warren Darcy on multiple occasions allude to –– or explicitly detail –– Joseph Haydn’s well-known proclivity towards the use of humor and wit. In doing so, they portray his compositional practice as falling outside of normal conventions, as in this discussion of recapitulatory material: “Thus Haydn provided his audience with a witty work cleverly suspended in the force fields of at least three formal categories (277).” At times, the reader can almost visualize Hepokoski and Darcy throwing their hands up in desperation at Haydn’s “startlingly original musical language (16)...