AMS-NE: New England Chapter of the AMS

  If you plan to participate in this virtual meeting, please register (for free) in advance at this link: https://yale.zoom.us/meeting/ register/tJMld- irpjIjG9OtYGyavj-U-T8CeFvUrFOz Program (all times listed below are EDT)  ABSTRACTS AND BIOS 9:30-9:45AM  Welcoming Remarks 9:45AM-11:15AM  Session #1  (session c0-chairs: Zachary Stewart and Renée Becker, Yale University) Mary Greer (Cambridge, Massachusetts): "Hercules the Serpent-throttler as Model for Christ the Serpent-trampler: Overlooked Parallels between 'Hercules at the Crossroads" (BWV 213) and Bach's  Christmas Oratorio "  McKay Perry (University of Massachusetts Amherst): "'Amphion's Warbling Strings': A Case Study of Mythical Music in English Madrigals" Emily Korzeniewski (Yale University): "Machaut's Notations in Flux: The Chansons of the  Remede de Fortune " 11:15AM-11:30AM  Coffee Break #1 11:30AM-12:30PM  Session #2  (session chair: Philip Bixby, Yale University)...

AMS-NE Fall Chapter Meeting February 22, 2020 New England Conservatory -- Pierce Hall ( Directions and Parking ) 9:45-10:15 Refreshments and Registration Morning Session 10:15 Welcome 10:20 Josquin’s Nymphes des bois and Lament Literature – Jeannette Di Bernardo Jones (College of the Holy Cross) Josquin’s Nymphes des bois is among the earliest polyphonic laments for musicians and joins poetic laments written honoring Jean de Okeghem after his death in February 1497. Musicologists have debated three problems surrounding this piece: its dating, its polytextuality, and its appearance in all-black notation in its sources. I address these issues by placing Josquin’s lament in a conversation with the existing poetic laments for Okeghem, namely Guillaume Crétin’s Déploration and Jean Molinet’s pair of poems, one of which is the French text Nymphes des bois in Josquin’s setting. I argue that Nymphes des bois , both Molinet’s poem and Josquin’s lament, is part of a larger ...