AMS-NE: New England Chapter of the AMS

What follows is a snapshot of the program for the joint meeting of the   AMS-NE  and the New England Conference of Music Theorists (NECMT), which includes registration times, papers, and receptions. The full can be found  here ). Many thanks to our two program committees and special gratitude goes to Michael Scott Cuthbert  for volunteering to help merge the schedules of our two societies and for his work on laying out the joint program. We are also very indebted to Emily Richmond Pollock and Elina Hamilton for their work regarding local arrangements at MIT.  Please note that the meeting will be held on Friday-Saturday, 8-9 April at MIT;  AMS-NE  papers will be heard on Saturday only, but everyone is invited and encouraged to attend the paper sessions and the informal dinner on Friday, to be held at the house of NECMT president, Suzie Clark (please note that this is a change of location).   We look forward to seeing you at the meeting! ...

AMS-NE Spring Chapter Meeting May 2, 2015 Sudler Hall Yale University 9:45-10:15  Refreshments and Registration Morning Session 10:15   Welcome 10:20   Assimilation, Gypsies, and Jews in Meyerbeer's  Ein Feldlager in Schlesien                    Laura Stokes (Indiana University / Brown University) ABSTRACT: Giacomo Meyerbeer was appointed General Music Director of the Berlin Royal Opera in June 1842. The recently ascended king Friedrich Wilhelm IV—who had an ambitious program to remake Berlin as a European cultural center—persuaded Meyerbeer to return after an absence of over three decades. Meyerbeer, who was Jewish, was appointed music director of the Royal Opera at a time of political challenge for Prussia’s Jewish community: that same year, Friedrich Wilhelm IV proposed that the Jewish community be separated into its own Estate, attempting to counter decades of assimilati...

AMS-NE Winter Chapter Meeting Saturday, February 21, 2015 Marshall Room, College of Fine Arts Boston University 10:00-10:35  Refreshments and Registration Morning Session 10:35   Welcome 10:40     “As Obscure and Unintelligible as the Warbling of Larks and Linnets”: Latent Agendas in C. P. E. Bach’s C-Minor Trio, Wq. 161/1 (H.579) Yonatan Bar-Yoshafat (Cornell University) ABSTRACT: Ever since its publication in 1751, C. P. E. Bach’s famous program trio (‘Sanguineus und Melancholicus’) has generated much debate. A quintessential example of eighteenth-century dialogue-in-tone, the work nonetheless received mixed reviews and Bach refrained from repeating it. It would be unfair to pass judgment on Bach’s contemporaries, however, since the work is not devoid of ambiguities. And yet, with only one notable exception (Mersmann, 1917), most modern reviewers tend to take Bach’s program at face-value, and interpret ...