AMS-NE: New England Chapter of the AMS

LOCATION at Amherst College Center for Humanistic Inquiry (CHI) Robert Frost Library,  2nd floor 61 Quadrangle Amherst, MA 01002  The entrance to the Library is from Quadrangle Drive (south end of the building).  More info regarding parking HERE Details as to specifics (hall/rooms, parking) will be posted as they become available. Bios, photos, and abstracts are posted as available. -------------------- 9:45-10:15 Refreshments and Registration Morning Session 10:15 Welcome 10:20 From Poem to Dance via Music: Departures and Convergences in Jonathan Taylor’s Transfigured Night Nona Monahin (Mount Holyoke College) Richard Dehmel’s 1896 “Verklärte Nacht” (Transfigured Night), a poem centered on a crisis of confidence in a couple’s relationship, inspired composer Arnold Schoenberg’s string sextet of the same title (1899; arranged for string orchestra in 1917 and revised in 1943), which in turn inspired numerous choreographic versions. In this p...

Call for Papers AMS-NE Fall 2019 The Fall 2019 meeting of the New England Chapter of the American Musicological Society will be held on Saturday, September 28, 2019 at Amherst College in Amherst, MA. The Program Committee invites proposals of up to 300 words for 20-minute papers and for roundtable sessions or workshops (pedagogical, performative, and/or scholarly). All abstracts are subject to blind review, and submissions from faculty, independent scholars, and graduate students are all encouraged and welcome. Abstracts should be submitted by Sunday, September 1, 2019 via email to kacook -at-  hartford  dot edu. Please refer to the AMS abstract guidelines: “Proposals should represent the presentation as fully as possible. A successful proposal typically articulates the main aspects of the argument or research findings clearly, positions the author’s contribution with respect to previous scholarship, and suggests the paper’s significance for the musicological communi...

PLEASE NOTE: This program has been revised with new times to reflect a last-minute change (9/30/15) AMS-NE Fall Chapter Meeting October 3, 2015 Amherst College Arms Music Center, Room 3 Free Weekend Parking Available in lots 9:45-10:15 Refreshments and Registration (Chapter Dues $10: exact change appreciated) Morning Session 10:15   Welcome   10:20  Arnold Dolmetsch against Antiquarianism: The Development and Endurance of Period Instrument Revival Ideologies Maia Perez (Boston University)   Arnold Dolmetsch cut a fascinating figure in the eyes of his contemporaries: the eccentric but devoted leader of one of the first major early music revivals of the 20th century, essential to its success, and the primary force behind its dissemination. But as the century continued, his amateurism and his unshaken belief in the musical authority of a semi-mystical “performer’s insight” prevented most musicologists (and even his own studen...

Call for Papers:  Fall 2015 Meeting of the AMS New England Chapter Amherst College 3 October 2015   The Fall 2015 meeting of the New England Chapter of the American Musicological Society will be held on  Saturday, 3 October 2015 at Amherst College in Amherst, MA. The Program Committee invites proposals of up to 300 words for 30-minute papers and for roundtable sessions. All abstracts are subject to blind review, and submissions from faculty, independent scholars, and graduate students are all encouraged and welcome. Abstracts should be submitted by  Tuesday, 1 September 2015  via email to jsholes at  bu.edu  or by mail to Jacquelyn Sholes, AMS-NE Program Chair, Department of Musicology & Ethnomusicology, School of Music, College of Fine Arts, Boston University, 855 Commonwealth Avenue, Boston, MA 02215. Please refer to the AMS abstract guidelines: “Proposals should represent the presentation as fully as possible....

AMS-NE Fall Chapter Meeting Saturday, October 2, 2010 Amherst College Yu Jueng Dahn, "'Virgin Soil' for Bach's Music: The American Reception of Robert Franz"  In 1867 John Sullivan Dwight asserted in Dwight’s Journal of Music that Robert Franz and J. S. Bach “have grown to be almost inseparable.” Criticized in Germany for his editorial emendations to Bach’s vocal works, which were considered historically inaccurate, Franz curiously found many supporters in the United States as early as 1855. This eventually led to benefit concerts in Boston in 1867 and 1872, to assist Franz financially because of his deafness. Dwight praised Franz’s editions of Bach’s vocal works as being “almost Bach-like in its spirit” and so true to the composer’s style that they could be considered “Bach’s having done it himself.” This paper traces Franz’s positive American reception as an editor and composer, examines his opinion of the United States as “virgin soil” for promoting qu...