Skip to main content

Posts

Showing posts with the label Beach

FALL 2021 CHAPTER MEETING (Virtual) - Saturday, October 2, 2021

 The Fall 2021 Meeting of the New England Chapter of the American Musicological Society will take place virtually on Saturday, October 2nd, hosted by the University of Massachusetts Amherst. If you plan to participate in this virtual meeting, please register (for free) in advance at this link . After registering, you will receive a confirmation email containing information about joining the Chapter meeting on October 2, 2021 (including the Zoom link for the meeting). PROGRAM  (Full program with abstracts and bios as provided as of 9/18 available here as a pdf). All times listed below are EDT. 10:15 - 10:30 AM  Welcoming Remarks 10:30 - 12:00 PM MORNING SESSION "For Your Eyes Only? Optical Illusion and Offstage Music in Nineteenth-Century Europe" -  Feng-Shu Lee (National Yang Ming Chiao Tung University) "Kaija Saariaho's L'amour de loin  as Modern Symbolist Opera" - Madison Spahn "Stockhausen's Weltmusik  at the Crossroads of Serialism and Postwar U...

Winter 2019 Chapter Meeting (Saturday, Feb 23 at Wellesley College)

AMS-NE Winter Chapter Meeting
 February 23, 2019 
Pendleton West 101 / Sargent Concert Salon
--Wellesley College ( Parking Info and Campus Map ) 
9:45-10:15 Refreshments and Registration Morning Session
 10:15 Welcome 10:20 “Me at Last, Me at Last!”: Black Artists Freeing Themselves From Country Music’s 
“White Avatar” – Joel Schwindt (Boston Conservatory at Berklee) Mainstream country music has long been branded a “white” genre, even though this identity is based on ahistorical constructs that downplay regular borrowings from black musical culture (Malone 2017, Nunn 2010, Manuel 2008). This “white avatar” has even been used to justify the marginalization of black performers’ racial identity, most infamously in the refusal of Charley Pride’s label to include a photo in the singer’s promotional materials during the first two years of his career. This “hegemony of vision” (McCrary 1993), however, has been challenged by two emerging black singers, Kane Brown and Jimmie Alle...