AMS-NE: New England Chapter of the AMS

  If you plan to participate in this virtual meeting, please register (for free) in advance at this link: https://yale.zoom.us/meeting/ register/tJMld- irpjIjG9OtYGyavj-U-T8CeFvUrFOz Program (all times listed below are EDT)  ABSTRACTS AND BIOS 9:30-9:45AM  Welcoming Remarks 9:45AM-11:15AM  Session #1  (session c0-chairs: Zachary Stewart and Renée Becker, Yale University) Mary Greer (Cambridge, Massachusetts): "Hercules the Serpent-throttler as Model for Christ the Serpent-trampler: Overlooked Parallels between 'Hercules at the Crossroads" (BWV 213) and Bach's  Christmas Oratorio "  McKay Perry (University of Massachusetts Amherst): "'Amphion's Warbling Strings': A Case Study of Mythical Music in English Madrigals" Emily Korzeniewski (Yale University): "Machaut's Notations in Flux: The Chansons of the  Remede de Fortune " 11:15AM-11:30AM  Coffee Break #1 11:30AM-12:30PM  Session #2  (session chair: Philip Bixby, Yale University)...

Hosted by Brandeis University If you plan to participate in this virtual meeting, please register (for free) in advance at this link: https://brandeis.wufoo.com/forms/m1vzze2b1xkz2we/   After registering, you will receive a confirmation email containing information about joining the  Chapter meeting on February 5, 2022 (including the Zoom link for the meeting).  Program (all times listed below are EDT)  PDF with program and abstracts here Abstracts and bios available here 10:45-11:00AM Welcoming Remarks  11:00AM-12:30PM Morning Session (chaired by Chloe Danitz, Brandeis University)    “Navigating a Changing Music Business: Giulio Briccialdi and the Musicians’ Response to  Shifting Demands”  Samantha Tripp (Tufts University)  “Digital Amati: Structure and Interpretation of Classical Stringed Instruments” Harry Mairson (Brandeis University)  “‘Just to Be and Dance ’: Jerome Robbins, J.S. Bach, and Late Style”  Erinn Knyt (Univer...

 For the full program with linked abstracts and bios, please click here . Full abstracts and bios here.  Registration info is at the bottom of this post. AMERICAN MUSICOLOGICAL SOCIETY NEW ENGLAND CHAPTER Spring 2021 Meeting Virtual Meeting hosted by University of Massachusetts Amherst SATURDAY, MAY 15, 2020 Program (all times listed below are EDT)   10:15-10:30AM            Welcoming Remarks  (ZOOM)   10:30AM-12:00PM       Morning Session (ZOOM)  “Reassessing Eichheim’s Oriental Music: Some Preliminary Remarks” Richard Mueller (Willington, Connecticut) “Monteverdi and Striggio’s  Orfeo : Modern Music, for a Pre-modern Play” Joel Schwindt (Boston Conservatory at Berklee) “‘The soul of man is a limpid wave’: Liszt, Lamartine, and  Bénédiction de Dieu dans la solitude ” Andrew Haringer (Saint Anselm College)  12:00PM-1:15PM         Lunc...

AMS-NE Spring Chapter Meeting Saturday, April 8th, 2017 Mount Holyoke College South Hadley, MA Pratt Music Hall, Rm. 109 Parking and Accommodations info here . Abstracts and bios are posted as they become available. 9:30-10:00       Refreshments and Registration Morning Session 10:00               Welcome 10:05    Ferruccio Busoni and the Liceo musicale di Bologna : Transnationalism and Italian Musical Culture Erinn Knyt (University of Massachusetts-Amherst) When Busoni accepted the directorship of the Liceo Musical di Bologna in the spring of 1913, he assumed leadership of a well-respected music institution in Italy. Yet, his goal was not simply to direct the prestigious conservatory—he also wanted to revitalize the entire Bolognese musical scene, and with it, lay the grounds for an Italian music revival.     While the year was disappointing, as m...

Clark University, late September through mid-November: Bach to Bach  Bach’s Art of Fugue in Color Wednesday, October 21, 2015 at 7:30 p.m. in Razzo Hall Johann Sebastian’s Bach’s Art of Fugue is one of his last great masterpieces.  As Bach’s final, encyclopedic exploration of the art and science of counterpoint and fugue, it has left a great legacy to the future.  The final fugue was left unfinished at the composer’s death, and has thus posed fascinating riddles ever since.  And the performance of this highly intricate, deeply beautiful score presents a wonderful series of challenges and opportunities to performers and listeners alike.  This performance will embrace and celebrate Bach’s Art of Fugue. Featuring Frances Conover Fitch with Arcadia Viols and guest instrumentalists   In addition, Frances Conover Fitch and members of the Arcadia Viols will offer a pre-concert demonstration for students at 4:00 in Razzo Ha...

AMS-NE Chapter Meeting Saturday, October 1, 2011 Capital Community College Max DeCurtins, "Changing Contexts for Bach Reception in Israel" In February 1927, an all-Bach concert at Terra Santa College appeared in the performance series of the Jerusalem Musical Society. The program notes began: “Bach occupies in the musical world the same position as Moses in the religious. He established its Torah on which everything else was subsequently built.” This venerating prose, read by attendees at one of the earliest documented Bach performances in the future State of Israel, offers a glimpse into the beginnings of the reception of Johann Sebastian Bach’s music there. The language is nothing if not charged—with religious ideas as well as ideas of musical heritage. The conflation of the musical and the religious stems from the nineteenth-century German context from which many Zionist movements began. The program notes almost seem to proclaim the secure position...