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Showing posts with the label spectralism

Winter 2020 Chapter Meeting (Saturday, Feb. 22, New England Conservatory, Boston)

AMS-NE Fall Chapter Meeting February 22, 2020 New England Conservatory -- Pierce Hall ( Directions and Parking ) 9:45-10:15 Refreshments and Registration Morning Session 10:15 Welcome 10:20 Josquin’s Nymphes des bois and Lament Literature – Jeannette Di Bernardo Jones (College of the Holy Cross) Josquin’s Nymphes des bois is among the earliest polyphonic laments for musicians and joins poetic laments written honoring Jean de Okeghem after his death in February 1497. Musicologists have debated three problems surrounding this piece: its dating, its polytextuality, and its appearance in all-black notation in its sources. I address these issues by placing Josquin’s lament in a conversation with the existing poetic laments for Okeghem, namely Guillaume Crétin’s Déploration and Jean Molinet’s pair of poems, one of which is the French text Nymphes des bois in Josquin’s setting. I argue that Nymphes des bois , both Molinet’s poem and Josquin’s lament, is part of a larger ...

Fall Chapter Meeting: Saturday, October 3, 2015 (Amherst College)

PLEASE NOTE: This program has been revised with new times to reflect a last-minute change (9/30/15) AMS-NE Fall Chapter Meeting October 3, 2015 Amherst College Arms Music Center, Room 3 Free Weekend Parking Available in lots 9:45-10:15 Refreshments and Registration (Chapter Dues $10: exact change appreciated) Morning Session 10:15   Welcome   10:20  Arnold Dolmetsch against Antiquarianism: The Development and Endurance of Period Instrument Revival Ideologies Maia Perez (Boston University)   Arnold Dolmetsch cut a fascinating figure in the eyes of his contemporaries: the eccentric but devoted leader of one of the first major early music revivals of the 20th century, essential to its success, and the primary force behind its dissemination. But as the century continued, his amateurism and his unshaken belief in the musical authority of a semi-mystical “performer’s insight” prevented most musicologists (and even his own studen...